DYNAMIX - Profession Video Systems
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::: Non-Linear Editing Systems

Film/Video Editing and Finishing Systems are the creative tools that revolutionized the way the world tells its stories.  Whether you're looking for affordability, versatility, power, or a combination of all three, there's an Avid system designed to meet your needs.  Make a powerful connection with the industry's most widely used film/video editing and finishing solutions.

:::Media Composer Family

The editing system that started it all - real-time, multi-format editing - plus all the creavtive tools, media management, and true facility-wide collaboration that makes Media Composer the best editor on the planet.

 

New Features in Avid Media Composer v4.0:

  • Avid Media Access (AMA)
  •   Native End to End support for XDCAM 
  •   Full native metadata and disc/card support for XDCAM HD/EX and P2  
  • Support for stereoscopic editing
  • Fluid Stabilizer camera tracking
  • Animate-able color correction
  • Support for Mac OSX Leopard and Windows Vista 32 & 64
  • Supported formats: Canon 24f HDV capture, Sony progressive HDV
  • Improved real-time effect performance
  • MetaFuze tool, for quickly merging single-frame files (such as R3D, DPX and TIFF) from film scanning or CGI systems into a single media clip (Windows only)
  • Real-time multi-window metadata burn-in tool
  • Mix and match frame rates (in addition to formats and resolutions) in the same timeline
  • Share Mac-based Media Composer projects with Pro Tools editors through Video Satellite
  • Encode and deliver final masters in Panasonic AVC-Intra format
  • Instantly access and edit GFCAM 100 Mb-formatted media through AMA
  • Be more creative and productive with new updates to the included Production Suite
  • Create low-res proxies of archived HD 720p media for faster reviewing and retrieval
  • Capture and preserve ancillary and closed captioning data on Nitris DX and Mojo DX systems
  • Monitor 1080p24 projects on NTSC monitors with Symphony Nitris DX systems
  • View stereoscopic material side-by-side for a more natural line of sight
  • Get more monitor choices for viewing stereoscopic media
  • Experience improved playback with DV100 media
  • Get improved playback of QuickTime DNxHD media in Pro Tools
  • View 16 tracks at a time in the audio mixer, in addition to 4- and 8-track display
  • Work with AAF files larger than 2 GB
  • Get more levels of undo
  • Work with complex scenes even easier with multicamera editing improvements
  • Gain precision and save time with auto-zoom for motion tracking and stabilization
  • Move clips without having to rebuild transitions with transition preservation
  • Get better archive and restore control with new recapturing and decomposing features
  • Manage clips in the timeline easier with improvements to clip color coding
  • Gain better edgecode handling when using the Timecode burn-in effect
  • Enter timecode more easily when using a keyboard without a numeric keypad
  • And more...

Media Composer can now be a stand-alone software solution, or integrated with the appropriate hardware I/O; Mojo DX or Nitris DX. 

Please contact your local Dynamix sales representative before upgrading to make sure your hardware meets the minimum Avid qualified system requirements.

Click here for the Media Composer Family Brochure (PDF)

Click here for the Mojo DX and Nitris DX connectivity information (PDF)

:::Symphony Nitris DX 

Avid Symphony Nitris DX finishing systems combine real-time primary and secondary colour correction, and the real-time uncompressed HD and SD performance of Avid Nitris DX hardware.

Click here for the Symphony Nitris Product Information (PDF)

:::Avid DS Nitris Family

Avid DS Nitris systems are designed for editors and artists who want the ultimate in finishing quality, real-time performance, creative versatility, and interoperability.

Click here for the DS Nitris Product Information (PDF)